论文目录 | |
| ACKNOWLEDGEMENTS | 第1-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-12页 |
| CHAPTER ONE INTRODUCTION | 第12-20页 |
| 1.1 Louise Erdrich and her Love Medicine and The Plague of Doves | 第12-13页 |
| 1.2 Literature Review | 第13-16页 |
| 1.3 Theoretical Framework | 第16-18页 |
| 1.4 Significance and Layout | 第18-20页 |
| CHAPTER TWO THE ENSEMBLE OF MULTIPLE INDEPENDENT VOICES | 第20-36页 |
| 2.1.Plural Consciousnesses over Land Loss | 第20-25页 |
| 2.2.Multiple Perceptions towards Religious Conversion | 第25-30页 |
| 2.3.Diverse Voices about Seeking Self-identity | 第30-36页 |
| CHAPTER THREE THE SYMPHONY OF THE POLYPHONIC DIALOGUES.. | 第36-50页 |
| 3.1 The First Movement:The Great Dialogue | 第37-43页 |
| 3.1.1 The Counterpoint of Overall Structure:June’s Death and the LynchingEvent | 第37-40页 |
| 3.1.2 The Counterpoint of Character Relationships:Nector&Eli andMooshum&Shamengawa | 第40-43页 |
| 3.2 The Second Movement:The Microdialogue | 第43-50页 |
| 3.2.1 Characters’Double-voiced Dialogue:The Alternate Meaning behindLipsha’s Words and The Implicit Overtone in Evelina’s Voices | 第43-46页 |
| 3.2.2 Characters’Inner Monologue:Lipsha and Marn | 第46-50页 |
| CHAPTER FOUR THE UNFINALIZED POLYPHONIC RHYME | 第50-60页 |
| 4.1 The Indeterminacy of Life Prospects | 第51-55页 |
| 4.1.1 Gerry’s Uncertain Fate | 第51-53页 |
| 4.1.2 Evelina’s Unknown Future | 第53-55页 |
| 4.2 The Unfinalizability of Cultural Choices | 第51-60页 |
| 4.2.1 Gordie’s and Lipsha’s Unsteady State between Two Beliefs | 第55-57页 |
| 4.2.2 Antone’s and Cordelia’s Bewildered State in Cultural Mixing | 第57-60页 |
| CONCLUSION | 第60-64页 |
| WORKS CITED | 第64-68页 |
| 在校期间发表论文清单 | 第68页 |
