论文目录 | |
| Acknowledgements | 第1-6
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| Abstract | 第6-8
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| 摘要 | 第8-12
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| CHAPTER 1 INTRODUCTION | 第12-18
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| · TYPES OF DRAMATIC COMMUNICATION | 第12-15
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| · Playwright - Reader Communication via Dramatic Text | 第12-13
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| · Character - Character Communication via Dramatic Plotting | 第13-14
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| · Playwright-Theatrical Staff Communication via Stage Interpretation | 第14
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| · Theatrical Staff-Audience Communication via Stage Performance | 第14-15
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| · ARTISTIC FEATURES OF WAITING FOR GODOT | 第15-16
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| · RESEARCH PURPOSE AND THESIS FRAMEWORK | 第16-18
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| CHAPTER 2 PREVIOUS RESEARCHES ON DRAMA | 第18-26
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| · TRADITIONAL PRAGMASTYLISTIC STUDIES OF DRAMA | 第18-20
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| · SHORT’S DOUBLE-LEVEL STRUCTURE OF DRAMATIC DISCOURSE | 第20-21
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| · FENG ZONGXIN’S PRAGMATIC STUDY OF DRAMATIC COMMUNICATION | 第21-23
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| · Multi-Level Structure of Dramatic Discourse | 第21-22
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| · Interpersonal Rhetoric in and of Drama | 第22-23
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| · LI HUADONG’S PRAGMASTYLISTIC PERSPECTIVE ON STAGE DIRECTIONS | 第23-26
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| CHAPTER 3 ADAPTATION-RELEVANCE THEORY MODEL | 第26-41
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| · VERSCHUEREN’S ADAPTATION THEORY | 第26-29
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| · Production and Interpretation of Language as Choice-Making Processes .. | 第26-27
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| · Salience of Language Choice-Making Process | 第27
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| · Contextual Correlates of Adaptation | 第27-28
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| · Dynamics of Adaptation | 第28-29
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| · SPERBER & WILSON’S RELEVANCE THEORY | 第29-33
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| · Mutual Manifestness of Cognitive Environments | 第29-30
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| · Ostensive-Inferential Communication | 第30-31
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| · Principle of Relevance | 第31-32
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| · Dynamics of Cognitive Contexts | 第32-33
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| · RAN YONGPING’S ADAPTATION-RELEVANCE MODEL (ARM) ―AN INTEGRATED MODEL | 第33-36
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| · The ARM Proper | 第33-35
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| · Contextual Dynamics of Adaptation & Relevance | 第35
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| · Ran Yongping’s Application of ARM to Verbal Communication | 第35-36
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| · A REVISED ARM FOR PLAYWRIGHT-READER COMMUNICATION INTERPRETATION | 第36-41
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| CHAPTER 4 A CASE STUDY OF WAITING FOR GODOT | 第41-42
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| · DATA COLLECTION | 第41
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| · AN ARM APPROACH TO DATA ANALYSIS | 第41-42
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| CHAPTER 5 AN ARM INTERPRETATION OF THE PLAYWRIGHT-READER COMMUNICATION IN WAITING FOR GODOT | 第42-70
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| · MUTUAL MANIFESTNESS OF THE PLAYWRIGHT AND TARGET READERS’COGNITIVE ENVIRONMENTS | 第42-45
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| · PLAYWRIGHT’S CONTEXTUAL ADAPTATION IN DRAMA PRODUCTION | 第45-59
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| · Presumption of Relevance: A Guide for the Playwright’s Linguistic and Strategic Choices | 第45-46
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| · Linguistic and Strategic Adaption to the Contextual Correlates | 第46-57
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| · Linguistic and Strategic Choices | 第47-49
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| · Characterization | 第49-52
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| · Plotting | 第52-57
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| · Dynamics of Adaptation in the Drama Production | 第57-58
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| · Playwright’s Awareness in the Contextual Adaptation | 第58-59
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| · READERS’PURSUIT OF OPTIMAL RELEVANCE IN DRAMA INTERPRETATION | 第59-68
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| · Optimal Relevance: A Target for Reader’s Cognition | 第59-60
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| · Readers’Contextual Choices of Optimal Relevance | 第60-63
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| · Linguistic Contextual Choices | 第61
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| · Situational Contextual Choices | 第61-62
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| · Cognitive Contextual Choices | 第62-63
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| · Readers’Relevant Choices of Inferential Results | 第63-68
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| · Losers’Relevant Choices | 第64-65
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| · Literary Scholars’Relevant Choices | 第65-67
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| · Common People’s Relevant Choices | 第67-68
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| · A SUMMARY: A GENERAL ARM INTERPRETATION OF PLAYWRIGHT-READER COMMUNICATION OF WAITING FOR GODOT | 第68-70
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| CHAPTER 6 CONCLUSION | 第70-71
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| BIBLIOGRAPHY | 第71-74
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| PAPERS PUBLISHED DURING M.A. STUDY | 第74
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