[汉语言文学本科论文] 【英文标题】On the “Beijing School”and the “Shanghai School”under Shen Congwens V iew of Serious Literature WANG JI-zhi Chinese Language and Litarature Department of Nanjing University,Nanjing,Ji angsu 210000,China【 作 者】王继志【作者简介】南京大学 中文系,江苏 南京 210093 王继志(1940-),男,江苏铜山人,南京大学中文系教授,博士生导师。【内容提要】京派作为一个文学流派,其发展衍变的过程可明显地分为前后两个时期。在一向抱定 严肃文学观不放的沈从文看来,以周作人、废名为首的前期主要成员,自20世纪20年代 末到30年代初已逐渐由积极走向消极,即由积极的社会性文化追求向消极的“趣味个人 主义”转化,并于1933年后与“海派”相融合。沈从文的《论冯文炳》、《文学者的态 度》、《论“海派”》等文章,实际上是对文学上的“趣味个人主义”和商人习气的共 同批判。其出发点完全是为了捍卫中国新文学的庄严性。【英文摘要】The literary creation of the school of “Beijing School”may be divided in to two periods,the early period and the later period.Shen Congwen,who always upheld the principles of serious literature,viewed that the main scholars o f the school in the early period represented by Zhou Zuoren and Fei Ming tur ned from“active”to“passive”in the late 1920s and early 1930s,i.e.from ac tive pursuit of social culture to passive“individual interest”pursuit.Afte r 1933,the“Bejing School”merged with the“Shanghai School”.Shen Congwens articles“Comment on Feng Wenbing”,“Attitude of Literary men”,“On Liter ary School”,etc.are in fact a kind of criticism on the literary tendency of “individual interest”and commercialism,the sole purpose of which is to ……
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